Saturday, July 30, 2005


  • rewatched GiGi (1958) -- with Louis Jourdan from Octopussy

Friday, July 29, 2005

Thursday, July 28, 2005

Tuesday, July 26, 2005

Monday, July 25, 2005

Sunday, July 24, 2005

Saturday, July 23, 2005

Friday, July 22, 2005


  • watched Belle de Jour (1967)

    By far the most confusing scene in the film is the final sequence after she was just at the hospital checking on the status of her injured husband, who happened to have been shot by her "bad boy" boyfriend. The husband was last in a coma and his fate was not yet known. In these next moments we see that her husband is in a wheelchair, with sunglasses on. The wife puts medicine in a glass and mentions how any day now his eyes could get better. Then someone shows up who tells the husband about her escapades. This entire scene may in fact be meant as part of her imaginings. The husband having sunglasses is likely symbolic of his blindness to her desires, his ignorance. When he suddenly gets up and can see, the bells begin ringing, which perhaps signifies that the whole scene is a fantasy. The husband can hear the bells, too. Thus she is fantasizing that as a result of the shooting he will now see her true desires and be a part of her fantasy life.
    -- Reticuli on Amazon

Tuesday, July 19, 2005

Monday, July 18, 2005

Saturday, July 16, 2005

Friday, July 15, 2005


  • listened to Wordbuilders Vol. 12 by Bantam Doubleday Dell Audio University (1998) -- adventures of bit and byte, Muddle telescope

  • watched The Great Escape (1963)

  • watched NetForce (1999)

Thursday, July 14, 2005

Wednesday, July 13, 2005

Monday, July 11, 2005


  • watched Topper (1937) -- "You know something, George? We're dead."

Saturday, July 09, 2005

Tuesday, July 05, 2005

Saturday, July 02, 2005

Friday, July 01, 2005